The March, documentary film by James Blue
On August 10th, 1963 The U.S. Government, under the auspices of the United States Information Agency (USIA), tasked Hearst Metrotone News with crafting a documentary covering The March on Washington for Jobs and Freedom. To undertake the direction of this momentous film, Hearst and the USIA enlisted James Blue.
A quarter of a million people took part in the March on Washington.
A television audience of millions watched Martin Luther King Jr. deliver his “I Have a Dream” speech.
James Blue captured it on film. The March was shot in 35mm black and white film by a crew of 14 sound and camera men in 7 pairs, most of them from Hearst News.
Blue was brought onto the project after the camera crews were hired. George Stevens Jr, the head of USIA films, said "I asked Jim Blue to become involved. No one at Hearst could craft the kind of film we wanted."
Over three days they shot 59,795 feet of film - more than 11 hours of material. It was edited by Blue down to 3,021 feet, for a running time of 33 minutes.
The budget was $50,000. In addition to directing and editing, it was narrated by Blue, including released prints in Spanish and French.
The March was made for the Motion Picture Service unit of the United States Information Agency, a government entity that made informational, some would say propaganda, films.
At the time, by law, USIA films were only seen outside of the United States. In 1990 the law was changed to allow USIA films to be shown domestically 12 years after they had been made.
The March won first place in the short features section of the fifth (1965) International Film Festival For Youth at Cannes.
The March was screened at Venice, Tours, Bilbao and Cannes film festivals. It won grand prizes at Bilbao and Cannes.
The Cannes Jury credited the film for its “concentrated rhythm which permitted clear interpretation of the way a powerful peaceful force was used to uphold a general desire for universal justice.”
At Bilbao it won first prize for “Contributing Most to Friendliness and Understanding Between Peoples.”
It was added to the National Film Registry in 2008. After being added to the National Film Registry, The March was restored by the Motion Picture Preservation Lab, which is responsible for performing preservation work on motion pictures held by the National Archives.
Audrey Amidon was leader on the preservation of the film. Restoration work was completed in 2013.